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Sweet Tooth

Jan 21, 2009

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For Co Co. Sala, the design brief to IA Interior Architects was direct: design a space that showcases high quality chocolates and elegant confections, and can seamlessly transition from a daytime cafe to a nighttime lounge. So the designers divided the 130-seat, 5,000-square-foot Washington, DC, restaurant into two areas defined by two centralized bars wrapping around an existing brick wall: the pastry bar serves as the carry-out station by day, and as a cocktail bar at night for 10; and the 14-seat cocktail bar, used during dinner and lounge hours.

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Elsewhere, chocolate hues and nods to the candy prevail: each dining area is accented with a dramatic chocolate wave wall made of dark wood that undulates from the ceiling; furniture is done in red, gold, and chocolate brown hues; a backlit onyx hostess stand defines the night entrance; glass display cases line a wall like artwork; and reflective materials such as Italian red glass, iridescent gold mosaic tiles, and gold leaf gilding help create a sparking jewelry box-effect. And those wanting to be part of the candy-making action can sit at a five-seat bar that looks into a temperature and humidity controlled chocolate room complete with a 12-by-six-foot retractable glass window that can be opened for special events or classes.

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"The overall design aesthetic was to create a space that as warm, inviting, cozy, and had a feel for chocolate, which was the driving force behind most everything," says Charles Plymale, principal in IA Interior Architects' Washington, DC office.

www.interiorarchitects.com; www.cocosala.com

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hdtalks: the interviews

Jeffrey Beers talks with HD editor in chief Michael Adams about his early years as a designer, the influence of his mentor I.M. Pei, his love for hospitality, the many changes in the industry he’s witnessed over the past three decades, and the challenge and satisfactions of working with such legendary figures as Daniel Boulud, Sol Kerzner, and Wing Chao. Click here to play

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